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Can there even be substantial characterization at this point? There seems to be no set answer to any of these questions (unless one considers "nearly 0,000,000" an answer), but considering that Homecoming is finally a "proper" Marvel Cinematic Universe film rather than just a standalone Sony property picture, it stands to reason that this iteration is the one that's going to last (feel free to laugh when the franchise is probably rebooted again in oh, say, 2025, because Spider-Man just can't be Spider-Man if he's a twenty- or, heaven forbid, thirty-something..he? Peter Parker (Tom Holland) is flying high after fighting alongside Iron Man against a rogue Captain America.He not only believes he has his foot in Tony Stark's door, but he also feels he's all but a full-fledged Avenger.He's sort of like a Batman-lite (speaking of Keaton) who has taken the wrong path with his life and opportunities.
Action scenes see Parker battling his enemy on large scales and through swaths of destruction.The film's best qualities exist far away from special effects and action.Parker's relationship with Tony Stark/Iron Man is the movie's highlight.This latest take on the character saw his debut in Disney/Marvel's Captain America: Civil War, where the webslinger was once again recast and retooled, this time as a protg of billionaire playboy Tony Stark, a.k.a. All of the Spider-Man films (and most comic book movies, for that matter) have been major financial success and to some degree have all been critical successes, too, so it's no surprise to see the studios continue to churn them out at breakneck speed.But here are just a few of the million-dollar questions: at what point does it all just begin to look and feel the same?